Get all 41 Vector Hold releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Return / I'll Be There, Full Force, Close To You, After The Storm, Banana Tailpipe, Back To You, Pick It Up Rink!, Maui, and 33 more.
Vector Hold San Jose, California
Vector Hold is a new retro 80's Synthwave project by Peter Brian Rice from the San Francisco Bay Area. specializing in sound
design and production for 80's/90's retro gaming soundtracks, film scoring.
Please email for quotes for licensing, custom scoring and live show bookings.
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If you like Vector Hold, you may also like:
The Uncanny Valley
by PERTURBATOR
supported by 13 fans who also own βLaunch Codeβ
Disco Inferno is the best synthwave-esque track I've ever heard, and that says a lot.
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The Wrath of Code
by DAN TERMINUS
supported by 12 fans who also own βLaunch Codeβ
The sound on thi album has a perfect balance between DT's signature distortion and more melodic synthwave portions. The Chasm and Death by Distortion are favourites of mine.
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Automated Refrains
by DAN TERMINUS
supported by 12 fans who also own βLaunch Codeβ
I'm pretty sure there's at least one sample from the system shock 2 soundtrack on here but I can't identify it and it drives me crazy
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Last Call For All Passengers
by DAN TERMINUS
The French artist's latest album is filled with dark synths and ghostly electronica.
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Automated Refrains
by DAN TERMINUS
βAutomated Refrainsβ is a mighty, marvelous collection of pulsing synthwave, containing both rippling ambiance and industrial bangers.
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FLOPPY DISK OVERDRIVE
by MASTER BOOT RECORD
On his 8th record, Master Boot Record offers a soup-to-nuts reboot of his previous work.
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supported by 12 fans who also own βLaunch Codeβ
It's hard to pick a favourite track. This is the only album i have so far deemed as "perfect", where every track, even the intro, is just a masterpiece in its own right. From the hard hitting Perturbator's Theme to the emotional title track, its 68 minutes of perfection. 10/10.
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